“The Santa Clauses” doesn’t trouble making an attempt to reinvent the sleigh, nevertheless it does splash a brand new coat of paint on it, in principally agreeable and mildly intelligent methods. After three films over a 12-year span starting in 1994, Tim Allen is again in a Disney+ collection that, at six half-hour episodes, places some further cheer in vacation streaming.
Having stumbled into the job, Allen’s Santa, née Scott Calvin, has settled into it, presiding over his elfin empire with Mrs. Claus (Elizabeth Mitchell) and their youngsters (Austin Kane and Elizabeth Allen-Dick, the latter of whom is Allen’s real-life daughter). Not that the North Pole isn’t good, however the youthful Calvins have grown up shielded from the broader world, and within the older one’s case, greater than a little bit interested in it.
Accustomed to issues going off and not using a hitch, Santa experiences a couple of disconcerting hiccups on his newest spherical of deliveries, confessing to his comically loyal elf sidekick, Noel (Devin Vivid), “My magic could have failed me.”
After briefly making an attempt to cover his gift-giving dysfunction, Santa begins to ponder retirement, however after all meaning finding a potential replacement. Provided that his story intercuts with that of a toy tech developer, Simon Choksi (Kal Penn), a single dad with troubles at work, it doesn’t require a PhD. in English lit to see the place this is perhaps heading.
Nonetheless, producer/showrunner Jack Burditt (a veteran of “Fashionable Household” and “30 Rock”) does fill his luggage with some surprises, and “The Santa Clauses” does a nifty job of cliffhanging its episodes, even those that drag a bit, to drag the viewers alongside from one into the following.
There’s additionally an total playfulness to the proceedings, not solely by way of drawing upon materials and characters from the earlier films (the final got here out in 2006) however contemporizing the message, which incorporates youngsters turning into extra jaded amid the wanton consumerism of this one-click-shopping age. As well as, among the jokes, from a Bigfoot-inspired visible gag to 1 taking part in off the 1987 film “The Untouchables,” clearly aren’t afraid to sail over the youthful demo’s heads.
Saying the present works however requires a couple of qualifiers, with an excessive amount of reliance on humor concerning the ageless elves (performed by youngsters) and an excessive amount of time dedicated to the Calvin progeny, in a Disney Channel-ish type of approach that may’t assist however really feel like reheated leftovers.
Nonetheless, “The Santa Clause” is a kind of ideas virtually ideally suited to this type of made-for-streaming revival, with fairness from the earlier films however no actual want at this level to pad that theatrical trio right into a quartet.
Allen, notably, was on the peak of his sitcom stardom in “Dwelling Enchancment” when the primary film premiered, adopted a yr later by “Toy Story.” His affiliation with Disney, in different phrases, goes again greater than 30 years and has been mutually helpful after which some.
“The Santa Clauses” extends that relationship, in a festive package deal that’s shiny, colourful and unburdened by loftier pretensions – simply the type of simple raise that ought to ship a couple of good nights.
“The Santa Clauses” premieres November 16 on Disney+.